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Sunday, June 25, 2006

Underwear Photo Ripped From N.J. Yearbooks

The 2006 edition of the yearbook at Phillipsburg High School showed a little bit more than school spirit, and now is a tad thinner for it.

School officials ripped a page out of hundreds of students' yearbooks because it contained a photograph that showed a student's underwear.

The picture on page 224 showed a female student wearing a skirt and sitting on a desk during a play; a bit of her underwear could be seen.

"The picture was questionable," said school superintendent H. Gordon Pethick. "It's the best way I can describe it."

School officials ripped a page out of hundreds of students' yearbooks because it contained a photograph that showed a student's underwear.


Pethick said a relative of the student asked for the picture to be removed, so officials took it out of hundreds of copies of the yearbook.

Pethick said the page was being reprinted without the questionable picture and students will receive the replacement within a month or so.

Some students at the Warren County school were upset by the removal of the pages, The Express-Times of Easton, Pa., reported in Tuesday's newspapers. Besides the offending photo, seven other drama pictures and nine pictures from a pep rally that were on the same page and its other side were removed.

"First of all, people paid for these. They belong to the students," Phillipsburg High School senior Katie Rockware told the newspaper. "They are expensive. It's like them saying, 'Excuse me, can I just destroy your personal property?' I thought it was so ridiculous."

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Information from: The Express-Times, www.nj.com/expresstimes/

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Sunday, June 11, 2006

Nude Cyclists Want Respect From Motorists

By Associated Press

MEXICO CITY -- Dozens of cyclists rode nude through downtown Mexico City on Saturday, demanding respect from motorists and protesting against the car-oriented culture in this megalopolis.

With slogans like "Respect Bike Riders" painted on their bodies, about two dozen naked cyclists turned heads in a city where it's rare to see even clothed riders braving the chaotic traffic on bikes.

"Drivers don't respect us, which is why we've had to take this kind of action," said Felipe Fulop, a protest organizer.

Agustin Mendez, 48, arrived at the protest wearing only a pair of sneakers and a bike helmet.

"This is what we have to do to get drivers to see us and respect us," said Mendez, adding he was recently hit by what he believes was a bottle thrown by a youth leaning out of a passing vehicle on a Mexico City street.

While the city has constructed a few bike paths and lanes in recent years, it has built far more expressways.

The city's bicycle routes consist of lane markers painted on streets and sidewalks, which few drivers respect.

Saturday's demonstrators also stressed that they were helping the city's severe smog problem.

"We don't pollute," Fulop said.

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Itsy bitsy, teenie weenie . . . bikini!

by Aline Mendelsohn

It was shocking, scandalous. So little fabric. So much skin.

But times changed, the bikini survived -- and it became a cultural icon.

This year, the bikini celebrates its 60th birthday. After all these years, it's still making a splash.

"The bikini's here to stay," says Kelly Killoren Bensimon, author of The Bikini Book, a new release that tracks the bikini's evolution.

"If it withstood all the chaos it's endured, then it's going to be here forever."

Bensimon traces the bikini's origins to French designers Jacques Heim and Louis Reard. Reard named the 1946 invention after the Marshall Islands' Bikini Atoll in the Pacific, a U.S. test bombing site. The bikini swimsuit was "as explosive as the atomic bomb itself," Bensimon writes, also pointing out that the bikini "could only have been invented by a man."

"It was a very conservative time," Bensimon says in an interview. "Obviously, it caused a lot of scandal."

At first, the bikini was deemed inappropriate, unseemly, Bensimon says. Proper women would not wear one. After all, it revealed the belly button.

But 15 years later, times were changing. With the sexual revolution of the 1960s, the bikini gained acceptance and clout.

"To bare flesh was to be politically subversive and culturally enlightened," wrote Lena Lencek and Gideon Bosker in the book Making Waves: Swimsuits and the Undressing of America.

Before long, the bikini became mainstream, with wholesome actress Annette Funicello wearing one that revealed her belly button in the movie How to Stuff a Wild Bikini.

"Even then, if you think about it, it was a sanitized form of beach blanket movies," says Cynthia Lewis, an English professor at Davidson College in North Carolina and co-author of Bikini Is a State of Mind. "Sandra Dee and Annette Funicello looked really virtuous in those bikinis, not at all loose or exhibitionist."

In 1964, Sports Illustrated launched its inaugural swimsuit issue, featuring a model in a white bikini. Bensimon thinks that the magazine legitimized the bikini.

Even so, it was controversial.

Sunny Bippus of West Palm Beach posed in a bikini for the third swimsuit issue cover in 1966 and remembers receiving letters from priests admonishing her for revealing her body.

She also received fan mail, such as a marriage proposal from a man who lived in the country and offered to chop wood for her.

Everyone suits up

Bikinis were not reserved for models and actresses.

Gloria Yousha of Winter Park remembers wearing her first bikini to Coney Island's Brighton Beach in the 1960s.

"I felt pretty good about myself," Yousha recalls.

"I didn't have any taboos about my body. I was young."

Ellen Winston, 61, can hardly remember a time before she wore bikinis.

"It was a part of you, that was your signature," says Winston, of Orlando, a former manager of an Everything But Water bathing-suit store.

" . . . There was a great freedom to put this on and sun-tan everywhere and just feel good."

Of course, for some women, bikinis can represent negative feelings toward their bodies. Some dread shopping for them, particularly because many styles today have become more revealing and smaller.

"Smaller?" says Bippus, 66, the former Sports Illustrated model. "They're nonexistent!"

Case in point: The cover of this year's SI swimsuit issue features eight women wearing white bikini bottoms -- and nothing else.

Bippus, who now owns an interior-design firm in West Palm Beach, wore bikinis for many years, but stopped at age 55.

"When you get to be my age, you really shouldn't be doing that,'' Bippus says. "I know they do in Europe. I don't think it's very appealing."

Enjoy the skin you're in

Many women disagree.

Lewis, the English professor, wrote her book with a group of friends in their 50s who still wear bikinis. They call themselves The Bikini Team.

"The real key here is feeling comfortable about who you are in the skin you're in, not worrying what other people may be thinking about you," Lewis says.

She says she feels more comfortable in a bikini now than she did in her 20s.

"You don't have to shrivel up into a ball and hide yourself as you go into middle age. You can still look mighty good and have a good time."

Mimi Munro, an Ormond Beach grandmother, still wears bikinis.

"I prefer a two-piece," says Munro, 54, a champion surfer and massage therapist. "It feels freer."

Winston says one-piece suits "would wreck my tan line."

"Should I be approaching 62 and Social Security and be wearing a bikini?" Winston asks. "Oh, yes."



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Tuesday, June 06, 2006

Murals

by Jo Murphy

Osho was one of the best known spiritual teachers of the Twentieth Century. He was a part of the Seventies movement--the one that attracted Western youth to India to experience meditation and transformation. When I asked my therapist (in whom I have great trust) what writer she would recommend I read, the only one she mentioned was Osho! However, her recommendation was Seeds of Wisdom. I love this book and read it everyday with great benefit.

The more relevant book for mural artists is Creativity : Unleashing the Forces Within (Osho, Insights for a New Way of Living). This book speaks directly to the artist within each and every one of us. It is a simply written book that can be read very quickly. It may draw you back to read it again and again. The reason I keep returning regularly is to check where I am up to with regard to changing my way of perceiving reality, and to refocus my energies upon a path leading toward transformation and enlightenment.

I particularly recommend the book to Art Therapists who design environmental art for the purposes of healing. Osho encourages us to centre ourselves through meditation and by dropping conflict. The energy thus stimulated will naturally overflow into our work, and into our relationships with others, the environment and God (the God of your own understanding).

I will briefly outline the ideas contained in the book. If you would like to know more about Osho's philosophy of life - the website is a good place to begin. There is even a library to which you can enroll. I intend to do this over the Christmas holidays when I have the time to really explore.

Osho begins his argument by describing creativity as the "greatest rebellion." This is because of societal conditioning, the repressive force of society. It blocks the flow of creativity and expression and thus makes us sick. The sickness described is disease = dis – ease, the kind of unwell feeling that comes about when one is not at ease within oneself.

"Once pathology disappears, everybody becomes a creator. Let it be understood as deeply as possible; only ill people are destructive. The people who are healthy are creative. Creativity is a fragrance of real health. When a person is really healthy and whole, creativity comes naturally to him, the urge to create arises."


As an introduction, Osho talks of the three C's.

* Consciousness …this has to do with being,
* Compassion …has to do with feeling,
* and Creativity …has to do with action

The artist who can develop these three qualities simultaneously becomes three dimensional and has a quality of depth. This makes both the artwork and the life of the artist inspiring.

"Let’s all do that then!" you may say. "Why not?"
"Ahhhh!" Osho goes on to talk about the Five Obstacles.
(I hear you thinking, "I knew there would be a catch.")
There is a catch, and the short version of it is that we have all been conditioned to avoid the state of being “in” creativity.

So what are these obstacles to creative living and can we overcome them? They are

* Self-Consciousness
* Perfectionism
* Intellect
* Belief
* The Fame Game

"Yes, of course." Many artists as they read those tags would recognise them instantaneously. These obstacles are the scourge of the inner critic, and the societal critic, and every other kind of professional critic that works upon us. They are the voices that continuously tell us we will never be 'good enough,' and that we need to 'measure up' to those around us. Or even better, exceed all expectation and become a wise guru and unreachable sage.

"Goodness," mulls the reader – "what to do? I know that I have these voices always working at me from the negative – but I never seem to be able to combat them." Osho has a reply to this; he offers Four Keys that will help us unlock the door to our potential creative selves.

* Become a Child Again
* Be Ready To Learn
* Find Nirvana in the Ordinary
* Be A Dreamer

I am so relieved to learn that it is all right to be a dreamer. Luckily, I always was a bit of a kid, you know. So, I have been reading and re-reading the book with quite a cheerful reaction.


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